Throughout his career, Bringel collaborated with esteemed figures in the tiatr industry, including directors C. Alvares, M. Boyer, Remmie Colaco, Prem Kumar, Alfred Rose, Bab Peter, Tony Martin, Chris Perry, and Kid Boxer, among others.

The Goan Everyday writes, with Bringel's distinctive bass voice and timeless tracks such as "Milenna", "Christalina", and "Nouro", his commitment to professionalism and selfless dedication elevated tiatr performances, making them both meaningful and brilliant.

[6] At the age of 13, he made his debut on the Konkani stage career, participating in village tiatrs and delivering renditions primarily composed by Alfred Rose.

[7] Bringel held deep admiration for Rose, who was widely recognized as the preeminent "Melody King of Goa" and had achieved considerable success in the tiatr domain.

His collaborations with prominent directors such as Jacint Vaz, M. Boyer, Remmie Colaco, Fr Freddy J da Costa, Prem Kumar, C. Alvares, Patrick Dourado, Anil Pednekar, Anthony Sylvester, Alfred Rose, Inacio de Canacona, Anthony San, and others provided ample opportunities for him to showcase his singing skills and captivate the hearts of the audience.

His performances transcended geographical boundaries, as he graced musical shows not only in Goa but also in prominent cities such as Delhi, Pune, Kolkata, Mumbai, Kuwait, Dubai, Abu Dhabi, and Doha.

During a performance in Dubai, Bringel's profound songs left a lasting impression on the audience, leading them to bestow upon him the honorary title of the "Man with a Golden Voice."

[5] In the 1980s, his creations received recognition on All India Radio's program 'Manajogtim Gitam, where his songs "Milena," "Hanv Poddiam Mogan," "Maim," and "Novro" garnered popularity.

The recording session took place at Mumbai's renowned Navrang studio, featuring lyrics penned by Rosario Rodrigues and music composed by Emiliano D'Cruz.

He further added, while Bringel's absence on the tiatr stage will undoubtedly leave a void, his enduring legacy of musical contributions ensures his continued presence in our collective memory.

[7] Joe Rose who was closely associated with the singer, acknowledged the significant impact of Bringel's performances on his first audio cassette, titled "Top Konkani Hits."

Their professional collaboration extended beyond the recording studio, as they embarked on several tiatr tours across various cities including Goa, Mumbai, Delhi, Calcutta, and the Gulf countries.

Bringel's vocal contributions played a pivotal role in four of Hortencio Pereira's cassettes and CDs, earning him great respect as a singer, akin to the renowned Alfred Rose.

[7] The passing of Bringel is a significant loss for the Konkani tiatr stage, as expressed by Wilson Mazarello, who described him as a highly talented tiatrist and an exceptional singer.