Young Vienna

[2] The group turned away from the prevailing Naturalism of the time and experimented with various facets of Modernism, including Symbolism and Impressionism.

[4] Stefan Zweig, in his book The World of Yesterday, eulogized Vienna's fin de siècle coffeehouse culture, where for "the small price of a cup of coffee," a youth who aspired to intellectuality could "sit for hours on end, discuss, write, play cards, receive his mail, and, above all, [could] go through an unlimited number of newspapers and magazines" in search of news about literary, artistic, or philosophical happenings with which, good-naturedly, to show up his peers:[I]n our constant childish, boastful, and almost sporting ambition we wished to outdo each other in our knowledge of the very latest thing, we found ourselves actually in a sort of constant rivalry for the sensational.

If, for example, we discussed Nietzsche, who then was still scorned, one of us would suddenly say with feigned superiority, “But in the idea of egotism Kierkegaard is superior to him,” and at once we became uneasy: Who is Kierkegaard, whom X knows and of whom we know nothing?” The next day we stormed into the library to look up the books of this time-obscured Danish philosopher, for it was a mark of inferiority not to know some exotic thing that was familiar to someone else.

We had a passion to be the first to discover the latest, the newest, the most extravagant, the unusual, which had not yet been dwelt upon at length, particularly by the official literary critics of our daily papers.

[5]The group was satirized by Arthur Schnitzler, one of its members, in his novella Late Fame, which was written c.1894-1895, but not published until 2014.