Under his direction, the company designed the logos for Concorde and Air France, among others, and produced the first interactive visuals for the Musée d'Orsay and the Louvre.
After Yves Devraine and Thierry Arnaud departed the company, Pépin shifted its focus to the production of multimedia shows.
In 1989 Pépin, a keen innovator, created and developed the process of Cinema on Water Screen (AQUASCAN®), a system subsequently adopted by Disney and Universal Studios, among others.
Article about the 2000 Eiffel Tower Extravaganza that landed on the covers of Time and Newsweek both and also nabbed a mention in People Magazine.
2007 item in Live Design Online about Pépin and ECA2 in connection with the TEA Thea Award for the Toyota Pavilion at Aichi Expo 2005 world's fair.
2006 item in Lighting&Sound International about Pépin being contracted to produce a spectacular for Sentosa, and being an artistic adviser to the 2008 Beijing Olympic Committee, in company with Steven Spielberg, Zhang Yimou, and Ric Birch.
2009 item in Projection Lighting Staging News about the "Blue Note Mystery" show created by Yves Pépin for Futuroscope Park in Poitiers, France.
2018 article by attractions industry expert Judith Rubin, published by InPark Magazine, about Yves Pépin's career, contributions, background and legacy, with details of noteworthy projects and testimonials from colleagues.