[2] Qadry's work has far-reaching contexts – a result of his life path and his time in Russia – and combines a Palestinian-Russian modern style of art.
[2] In the "Memory of Immigration (2012) exhibition, which based on the Idea that visualization of Palestinian tragedy or Al-Nakba, Qadry included some geometric painting series.
[5] Others critiqued the way Qadry's works hangs in main space of the gallery and connects the paintings hanging on it to one unit and this formation "form connected with the history of painting to ideas of disrupting the present order, but here, the diagonal plaster wall does not disturb order but rather sets it up.
"[6] Qadryhimself declared when he released "Non-Subject" series: "As a painter, I strive to formulate numerous questions – and answers – as part of the format of painting, rather than cling to artistic or social laws and values intended to dominate me and dictate my fate.
"[7] However, by his works it seems able to express Palestinian's socio-historical tragedy through visualization via its technique, material and in an abstract geometrical language.