[1][2] Al Rais, who was inspired by the Dutch Masters and Impressionists in his earlier work, created a distinctive style that is influenced by the different elements of nature and culture in the region.

Among such books were works on Leonardo da Vinci, Rembrandt, and other Renaissance luminaries that Al Rais regards as his first teachers.

Undoubtedly, Abdul Qader's early experiences in Kuwait, including the teachings impacted his development both artistically and intellectually.

Al Rais' unique style, that had yet to emerge, stems from his love for Impressionism which he learnt from Monet, Degas and Pissarro.

Sheikha Hoor Al Qasimi chose The Wait as the oldest artwork to be displayed in the UAE's National Pavilion at the Venice Biennale.

These early works has led to continued success, as he received multiple awards, which garnered the attention of national and international media.

His later works, both in oil and watercolour, such as Serenity Series (2018), retain much of the original influences, but also include geometric elements and calligraphy, which may be familiar to the Middle Eastern eye, but seen as esoteric or enigmatic to Western audiences, as well as eliciting the peace of communicating with the divine.

Al Rais artwork can be found in Emirati palaces, government offices and in the personal art collections of members of the royal family of Dubai.

Then, at the crucial juncture of his career, when he was moving beyond the traditional subjects in watercolour so indelibly associated with his name, Abdul Qader stepped outside himself and began to address issues of artistic authorship and individual style with acuity and critical distance.