In the following years, she was a prima donna, including in Rome, Palermo (1870), Turin, Genoa, Venice, Trieste, and also in Nice (1874), Barcelona (1875).
In 1875, she returned to Warsaw and on 28 December 1875 appeared for the first time as Amneris in Aida; in 1875–76, she sang Azucena in Il Trovatore, Margaret in Faust, Fides in Le Prophète.
Her best work was in addition to the role of Leonora (Il Trovatore), Amelia and Ulrica (Un ballo in maschera), Lucrezia Borgia and Orsini (Lucrezia Borgia), Valentina and Urbain (Les Huguenots), Norma and Adalgisa (Norma), Rachel (La Juive), Sélika (L'Africaine), Leonora (La Favorite).
The performances of these roles were always characterised by great life and temperament writes a Polish critic.With a beautiful voice, she was a bad actress.
She placed the voices of young singers well[1] When she retired from the stage, she started teaching and, together with her husband, Auguste Souvestre, founded a singing school in Lviv, which they kept until 1893.