Amarna (/əˈmɑːrnə/; Arabic: العمارنة, romanized: al-ʿAmārna) is an extensive ancient Egyptian archaeological site containing the remains of what was the capital city during the late Eighteenth Dynasty.
[5]) English Egyptologist Sir John Gardner Wilkinson visited Amarna twice in the 1820s and identified it as Alabastron,[6] following the sometimes contradictory descriptions of Roman-era authors Pliny (On Stones) and Ptolemy (Geography),[7][8] although he was not sure about the identification and suggested Kom el-Ahmar as an alternative location.
The city seems to have remained active for a decade or so after his death, and a shrine to Horemheb indicates that it was at least partially occupied at the beginning of his reign,[11] if only as a source for building material elsewhere.
However, due to the unique circumstances of its creation and abandonment, it is questionable how representative of ancient Egyptian cities it actually is.
"[14] Located on the east bank of the Nile, the ruins of the city are laid out roughly north to south along a "Royal Road", now referred to as "Sikhet es-Sultan".
It contained the estates of many of the city's powerful nobles, including Nakhtpaaten (Chief Minister), Ranefer, Panehesy (High Priest of the Aten), and Ramose (Master of Horses).
[21] Further to the south of the city was Kom el-Nana, an enclosure, usually referred to as a sun-shade, and was probably built as a sun-temple.,[22] and then the Maru-Aten, which was a palace or sun-temple originally thought to have been constructed for Akhenaten's queen Kiya, but on her death her name and images were altered to those of Meritaten, his daughter.
These are cut into the cliffs on both sides of the Nile (10 on the east, 3 on the west) and record the events of Akhetaten (Amarna) from founding to just before its fall.
Ay, one of Akhenaten's principal advisors, exercised great influence in this area because his father Yuya had been an important military leader.
Additionally, everyone in the military had grown up together, they had been a part of the richest and most successful period in Egypt's history under Akhenaten's father, so loyalty among the ranks was strong and unwavering.
"[27] While the reforms of Akhenaten are generally believed to have been oriented towards a sort of monotheism, or perhaps more accurately, monolatrism, archaeological evidence shows other deities were also revered, even at the centre of the Aten cult – if not officially, then at least by the people who lived and worked there.
... at Akhetaten itself, recent excavation by Kemp (2008: 41–46) has shown the presence of objects that depict gods, goddesses and symbols that belong to the traditional field of personal belief.
The first western mention of the city was made in 1714 by Claude Sicard, a French Jesuit priest who was travelling through the Nile Valley, and described the boundary stela from Amarna.
The copyist Robert Hay and his surveyor G. Laver visited the locality and uncovered several of the Southern Tombs from sand drifts, recording the reliefs in 1833.
The copies made by Hay and Laver languish largely unpublished in the British Library, where an ongoing project to identify their locations is underway.
The results were ultimately published in Denkmäler aus Ägypten und Äthiopien between 1849 and 1913, including an improved map of the city.
[29] Despite being somewhat limited in accuracy, the engraved Denkmäler plates formed the basis for scholastic knowledge and interpretation of many of the scenes and inscriptions in the private tombs and some of the Boundary Stelae for the rest of the century.
[31] These tablets recorded select diplomatic correspondence of the Pharaoh and were predominantly written in Akkadian, the lingua franca commonly used during the Late Bronze Age of the Ancient Near East for such communication.
[34] The copyist and artist Norman de Garis Davies published drawn and photographic descriptions of private tombs and boundary stelae from Amarna from 1903 to 1908.
In the early years of the 20th century (1907 to 1914) the Deutsche Orientgesellschaft expedition, led by Ludwig Borchardt, excavated extensively throughout the North and South suburbs of the city.
The famous bust of Nefertiti, now in Berlin's Ägyptisches Museum, was discovered amongst other sculptural artefacts in the workshop of the sculptor Thutmose.
Michelle Moran webs her story of the queen and her sister with political secrets, loss of innocence, and female strength in a patriarchal society.
Akhnaten, act II, scene 3 ("The City") by Philip Glass describes the mandate from Akhenaten to build Akhetaten.