Her performances bring together a virtuosic command of her instrument, use of microtonal textures and melodies, and an array of percussive flute effects, all combined with electronic processing.

While pursuing PhD research at the University of California, San Diego in the mid-1980s she formed a duo with flutist John Fonville, commissioning new works and exploring extended techniques on flute, particularly with regard to microtonal scales.

La Berge’s own music has evolved in parallel, and the flute has become only one element in a sound world that includes samples, synthesis, the use of spoken text and electronic processing.

This is a performance work based on Dr. La Berge's apical dendrite theory using film, narrative voice samples and music.

She also works as a freelance coach for the Amsterdam based Executive Performance Training company.