[2] This sculpture is a part of the Roman Imperial style and was sculpted during a revival of Greek culture, initiated by Hadrian's philhellenism.

[3] Its found spot and provenance are unknown,[4] but this sculpture is currently a part of the Farnese Collection in the Naples National Archaeological Museum.

[6] The circumstances of Antinous's death vary by account, though the most popular theories range from accidental, to suicide, and even those that are sacrificial in nature.

[6][4] In honor of his lover, Hadrian established the city of Antinoopolis in Egypt the same year Antinous drowned.

[2] Upon Antinous's death in 130 CE, Hadrian sought to revitalize Classical Greek sculpture tradition with Roman subject matter.

[8] Similarities between Antinous and Doryphorus can be drawn with the nude form, use of contrapposto, the stoic expression, as well as the outstretched arm.

[2][8] Another indication that this sculpture is Roman, not Greek, is the inclusion of a structural support on the back right leg,[10] casually disguised as a log.

[2] His youthful appearance, large eyes, pouting lips, and layered locks of hair over his forehead are some of the iconography that can be used to identify him.