Bapulal Nayak

Bapulal Nayak (25 March 1879 – 4 December 1947) was an Indian stage actor, director and manager of the early Gujarati theatre.

After a career lasting five decades, he retired after his company suffered heavy loss with the advent of the cinema.

[3] In Februatry 1890, at the age of eleven, he quit the family tradition of performing Bhavai (folk theatre) and farming, and started his stage career with Dayashankar Visanji Bhatt's Mumbai Gujarati Natak Mandali for a salary of three rupees per month.

He next appeared in Rajbeej (King's Progeny, 1891), a play written by Mulshankar Mulani specifically for him which premiered at the Geity Theatre in Bombay.

[4] He also acted in the acclaimed play, Ajabkumari (1899), opposite female impersonator actor Jaishankar Bhojak 'Sundari' who had recently joined their company.

The pair soon rose to fame and acted together in several successful plays including Saubhagya Sundari (Fortunate Sundari, 1901),[2] Vikram Charitra (1901, directed by him), Dage Hasrat (1901), Jugal Jugari (Jugal the Gambler, 1903), Kamlata (1904), Sneh Sarita (1915), Madhubansari (1917).

During this period, Mahatma Gandhi had arrived in India from South Africa and the Indian independence movement was gathering steam.

Gajendrashankar Pandya's play College Kanya was staged by Bapulal and it created controversy due to some of its dialogue about females; Narsinhrao Divetia, Chandravadan Mehta and Hansa Jivraj Mehta led the public protests against the play.

Bapulal Nayak (left) and Jaishankar Bhojak 'Sundari' in the play Kamlata , at Gaiety Theatre, Bombay, 1904