Rustam Sohrab, performed by Parsee Natak Mandali on 29 October 1853 in Mumbai, marked the beginning of Gujarati theatre.
[1] Sanskrit drama was performed in royal courts and temples of Gujarat, it did not influence the local theatre tradition for the masses.
[2] The first play published in Gujarati was Laxmi Natak by Dalpatram in 1850, it was inspired by ancient Greek comedy Plutus by Aristophanes.
[6][7] Gradually as the numbers of plays being written and performed in Gujarati increased things changed, and finally a theatre group to steer away from the tradition of Parsi theatre and the Bhavai and incorporated elements of Indian and Western dramaturgy was Arya Subodh Natak Mandali was formed in 1878, in Morbi by Mulji and Vaghji Oza, and their first production, Bharthari continued to be staged in Gujarat and Saurashtra region for many years.
[13] Sarjanhar was another important play of the period, inspired by Gandhian ideologies, it dealt with untouchability and was staged by popular actors of the time Sukhlal and Harilal.
[10] Besides Mehta, Pragji Dosa, wrote some award-winning play in the 1950s, though playwriting in Gujarati largely remained limited to adaptations and translations.
[18] In Vadodara theatre was patronized by Sayajirao Gaekwad III, and the city dubbed the cultural capital of Gujarat, and known for the Gandharva Natak Mandali.
In the 1950, numerous groups were formed in the city including, Nutan Sanskar Kendra, Trimurti, Natya Vihar, Bhartiya Kala Kendra and Universal Art Forum, and the following decades saw formed for groups like Rangavali (1974), Kashunk, Vishkambhak, Aakar Theatre (1980), Intimate, Jayashree Kala Niketan and Navchetan.