A mockumentary music video combining live-action scenes with animation, where Shigeo Osako [ja] plays a director whom Hoshimachi is fed up with for forcing her to wear high heels for a dance number, was directed by experimental art duo MimicryMeta.

[7] Additionally, a limited-edition deluxe edition featuring an acrylic stand and a card depicting one of the music video's scenes was released on the same day.

[10] Bivi and Nike Shimaguchi, who form the experimental art duo MimicryMeta and had collaborated with Tooboe [ja] and Zutomayo, directed the video.

Holding the camera, she changes into another set of clothes from a nearby hallway and walks outside, where she dances the Charleston[11] with only her hands and face animated.

To choreograph the acting, MimicryMeta used previsualization and storyboarding, before filming at a park while, as Shimaguchi recalled, "the neighbors [were] walking their dogs".

[13] Shimaguchi recalled that the backgrounds were the most difficult part of the animation,[15] as well as watching Hoshimachi's videos as research for her facial expressions.

[12] Other observers[14][3][15] compared it to Who Framed Roger Rabbit and Space Jam; however, despite having to bring the former up during production, Shimaguchi denied that the film directly influenced it.

[14] Numata interpreted the music video as a satire of the perceived "creepiness" of VTubers, particularly the uncanny valley effect and anti-VTuber sentiment from others not familiar with them; examples they cited included the use of mechanical camera movement, rotoscoping, and unnatural animation.

[10][11][5][14][16] Sugiyama noted that the Cinderella depicted in the video is more free-willed than the original one and that the ending is "like an inspiration to women who struggle every day in the rough seas of society, or to people of today",[16] while Tamagomago of MoguraVR News called the video's portrayal of Hoshimachi as "Cinderella under a troublesome director".

[11] Alice Lange of Martin Cid Magazine praised the song as an "irresistibly danceable rhythm that’s poised to take over dance floors from Tokyo to the rest of the world".

[18] Kazura Asada of Real Sound said that the music video was a "milestone that shows the strength of Hoshimachi Suisei as an artist and the maturity of VTuber culture".

[19] Satoshi Shinkai of Music Natalie found the fight between Hoshimachi and the director "comical and cute" and felt "captivated by the dance at the ending".