Blonde Phantom

"[3] In The Supergirls, Mike Madrid asserted, "Once again, a capable woman hid behind a meek persona and only let her hair down, literally, to come to the aid of a man who completely ignored her unless she assumed a disguise.

In a 1947 story entitled "I Hate Myself", Louise even dreams that Mark finally confesses his love for her, only to have the Blonde Phantom persona appear and steal him away.

[3] In a gender reverse to the famous Superman/Lois Lane dynamic, Mark is in love with the Blonde Phantom, and has no interest in the mousy secretary back at the office.

As superheroes began to fade out of fashion in the post-war era, comic book publishers scrambled to explore new types of stories, characters, and audiences.

[7] Stan Lee also mentioned that Sulman wrote for the feature in his article "There's Money in Comics" from Writer's Digest in 1947, in which he said: "A sample page from a script of "The Blonde Phantom" follows.

The series lasted a little over two years (from #12–22, Winter 1946 to March 1949), during which time the crime fighter also appeared as a backup feature in: The character was the province of no one artist, and aside from originator Shores, her adventures in this wide variety of comics were pencilled by Vince Alascia, Ken Bald, Allen Bellman, Carl Burgos, Vernon Henkel, Mike Sekowsky, Ed Winiarski, the pseudonymous Charles Nicholas, and others.

Acknowledging the shared Marvel Universe, Nevins writes that the famous model's stunt "perhaps inspired Louise Grant to put on a costume and fight crime".

[15] She was featured in flashback adventures in All Select Comics 70th Anniversary Special (February 2009)[16] and the five-issue miniseries Avengers 1959, beginning with issue #1 (December "2011).

Enamored with her boss and wanting to help him break cases, she surreptitiously donned a black domino mask and a sexy, skintight, slit-leg red evening gown and high heels, and ventured out at night fighting crime.

Mason even accompanies She-Hulk into outer space, where the pair become allies of the space-faring hero Razorback and his compatriots U.S. Archer and Al the alien.

Mason later finds herself trading physical stature and powers with a none-too-pleased She-Hulk in issue #48–49 (Feb.-March 1993), becoming so enamored with her new form and abilities that she only changes back when Morris reveals he wants Weezi the way she had been.

All Winners Comics vol. 2, #1 (Aug. 1948), cover artist(s) unknown.
Louise's daughter becomes the Phantom Blonde in She-Hulk #23 (Jan. 1991); cover art by Kevin Maguire and Jim Sanders III.