Followed by the successes of Jazzyturno in 2004, A Titulo Personal in 2005, El Manual de la Otredad in 2007, and Existo: Matriz Preludio al Pienso in 2009, Bocafloja has transgressed into one of the most revered icons in the hip hop scene in Mexico.

Lyrically Bocafloja critically addresses topics such as institutionalized racism, social and political oppression, mental slavery, colonialism, and other human conditions.

[2] Bocafloja is recognized in Mexico as the pioneer of the utilization of hip hop culture as an alternative tool to create awareness, developing a different form for political participation that reaches and is more relevant to marginalized youth.

His initial musical influences were completely varied, referencing hip hop artists from the United States, given at the time Spanish language rappers were limited if not non-existent.

It was not until years later as Bocafloja passed through a process of political awareness, in 1999, when the content of his lyrics dramatically changed as a natural product of personal transformation.

The album, which established Bocafloja as a solo artist, represented a radical departure from his previous musical projects in his initial career with its politically infused lyrics.

2003 marked the release of Pienso Luego Existo whose subject matter struck cords among his peers and established Bocafloja with respect and following within the burgeoning hip hop community in Mexico City and beyond.

The album spawned several hit singles which became instant classics, "Chillatown", "Los Diez Mandamientos", "Avasallando" and "Pasado, Presente, y Futuro".

[5] The album has also been the subject of several academic studies and research projects in the United States and Latin America for its poetic contribution and connection with political processes.

[7] The artist's website is quoted as stating, "Patologías del Invisible Incómodo is a concept album, where the interconnection & interdependence of each track signifies and globalizes a musical and discursive experience.

"[8] In this album, Bocafloja features collaborations with his fellow Quilomboarte collective, Cambio, Hache ST, Michelle Ricardo and Fabian Villegas, as well as Moyenei, Favi, Gabriel Teodoros, Siaira Harris, Alexandra Blakely, Guerrilla Queenz, Hollis Wong, R.E.A.L.I.D.A.D., and Indee Styla.

Bocafloja has shared the stage with such artists as Dead Prez, Afu-Ra, Bahamadia, Tony Touch, Ozomatli, MV Bill (Brazil), Brother Ali, J-Live, The Beatnuts, Freestyle Fellowship, Immortal Technique, K'naan, Rascalz, Intifada (Puerto Rico), Actitud Maria Marta (Argentina), and SieteNueve (Puerto Rico), among others.

In 2008 Bocafloja is in collaboration with Fabián Villegas published ImaRginación: La poética del Hip Hop como desmesura de lo político.

[10] ImaRginacion is the first literary project produced by members of the Hip Hop community in Mexico and is one of the first of its kind in the rest of Latin America and the Spanish speaking countries.