He then became a resident of the Panik festivals at the Élysée Montmartre, in Paris, and embarked on his first scene as a DJ, from Belgium to England to Los Angeles, sharing the bill with artists such as Erol Alkan.

At the end of the 2000s, he became the principal resident of the Social Club, on Montmartre road and established himself as the figurehead of a multi-facet generation, easily swinging from one genre to another, between rap and techno.

Very affected by the sudden death of DJ Mehdi in September 2011, Brodinski decided to take a new step in his career and launched the Bromance label, in collaboration with Manu Barron and Guillaume Berg, of which he is both the producer and artistic director.

Bromance embodies the spirit of Brodinski, his taste for discovery without worrying about categories, the importance of human connections and an instinctive functioning guided by encounters.

[4] From the end of 2011, the label regularly signed new artists who formed the avant-garde of Parisian electronic music, including Gesaffelstein, Club Cheval and Louisahhh.

The label's catalog thus included the presence of Detroit rapper Danny Brown or even Canadian producers Kaytranada and Illangelo.

[6] After the release of his first album, Brodinski hired young French producers such as Ikaz Boi, 8tm, and Myth Sizer under the Bromance banner, and associated them with American artists.

The end of 2016 and the start of 2017 were marked by two releases, the Young Slime Season and Sour Patch Kid projects, which put Brodinski a little more on the Atlanta scene.

With thick and saturated melodies, which could be "Perfect for a Halloween after party",[7] according to the magazine The Fader, Evil World translates Brodinski's inspiration.