[1][2] NME's Darren Johns called the album a "symposium for the obscurer-than-thou", noting influences including acid rap and Bis.

[1] Wired's James Sullivan said Lee provides "foundational scratch guitar" and occasional "mind-bending string-bending" and Mills adds simple basslines which "keep the rhythms gliding atop Simins' pile-driven beats.

"[1] AllMusic's Tim Sheridan called the album "Often hilarious and consistently groovy; in a word, dynamite.

"[4] Entertainment Weekly's Ethan Smith said the album is "guaranteed to keep your hips shaking all night".

[5] Less positively, Spin's Douglas Wolk called the lyrics "either half-assed ... or inaudible" and said many song's ideas felt like "the result of a moment's whim", such as "Mono Lisa" sounding like Stereolab and "Degobrah" being "fake hardcore".