She has become a pop culture icon of Egyptomania since the Victorian era, and in modern times, Cleopatra has appeared in the applied and fine arts, burlesque satire, Hollywood films, and brand images for commercial products.

[26][27] With opposition building at the royal court against the idea of a sole reigning female monarch, Berenice III accepted joint rule and marriage with her cousin and stepson Ptolemy XI Alexander II, an arrangement made by the Roman dictator Sulla.

[62][55][63][note 21] When the Roman Senate denied Ptolemy XII the offer of an armed escort and provisions for a return to Egypt, he decided to leave Rome in late 57 BC and reside at the Temple of Artemis in Ephesus.

[67][68][69] Although it put him at odds with Roman law, Gabinius invaded Egypt in the spring of 55 BC by way of Hasmonean Judea, where Hyrcanus II had Antipater the Idumaean, father of Herod the Great, furnish the Roman-led army with supplies.

[83][76] Ptolemy XII died sometime before 22 March 51 BC, when Cleopatra, in her first act as queen, began her voyage to Hermonthis, near Thebes, to install a new sacred Buchis bull, worshiped as an intermediary for the god Montu in the Ancient Egyptian religion.

These included famine caused by drought and a low level of the annual flooding of the Nile, and lawless behavior instigated by the Gabiniani, the now unemployed and assimilated Roman soldiers left by Gabinius to garrison Egypt.

[108][109] In perhaps their last joint decree, both Cleopatra and Ptolemy XIII agreed to Gnaeus Pompeius's request and sent his father 60 ships and 500 troops, including the Gabiniani, a move that helped erase some of the debt owed to Rome.

[120][118][123][note 32] Ptolemy XIII believed he had demonstrated his power and simultaneously defused the situation by having Pompey's head, severed and embalmed, sent to Caesar, who arrived in Alexandria by early October and took up residence at the royal palace.

[204][205] The meeting would allow Cleopatra to clear up the misconception that she had supported Cassius during the civil war and address territorial exchanges in the Levant, but Antony also undoubtedly desired to form a personal, romantic relationship with the queen.

[207][208][note 46] Cleopatra managed to clear her name as a supposed supporter of Cassius, arguing she had really attempted to help Dolabella in Syria, and convinced Antony to have her exiled sister, Arsinoe IV, executed at Ephesus.

[219] By the spring of 40 BC, Antony left Egypt due to troubles in Syria, where his governor Lucius Decidius Saxa was killed and his army taken by Quintus Labienus, a former officer under Cassius who now served the Parthian Empire.

[214] Mark Antony's Parthian campaign in the east was disrupted by the events of the Perusine War (41–40 BC), initiated by his ambitious wife Fulvia against Octavian in the hopes of making her husband the undisputed leader of Rome.

[227][214] Although the agreement struck at Brundisium solidified Antony's control of the Roman Republic's territories east of the Ionian Sea, it also stipulated that he concede Italia, Hispania, and Gaul, and marry Octavian's sister Octavia the Younger, a potential rival for Cleopatra.

[248][249] Antony's enlargement of the Ptolemaic realm by relinquishing directly controlled Roman territory was exploited by his rival Octavian, who tapped into the public sentiment in Rome against the empowerment of a foreign queen at the expense of their Republic.

[259][260][note 50] Antony received these troops but told Octavia not to stray east of Athens as he and Cleopatra traveled together to Antioch, only to suddenly and inexplicably abandon the military campaign and head back to Alexandria.

[262][264] Antony then held a military parade in Alexandria as an imitation of a Roman triumph, dressed as Dionysus and riding into the city on a chariot to present the royal prisoners to Cleopatra, who was seated on a golden throne above a silver dais.

[282][267] A subscript in a different handwriting at the bottom of the papyrus reads "make it happen"[282][267] or "so be it"[268] (Ancient Greek: γινέσθωι, romanized: ginésthōi);[note 54] this is likely the autograph of the queen, as it was Ptolemaic practice to countersign documents to avoid forgery.

[298] Antony had ordered that their ships should have sails on board for a better chance to pursue or flee from the enemy, which Cleopatra, ever concerned about defending Egypt, used to swiftly move through the area of major combat in a strategic withdrawal to the Peloponnese.

[299][300][301] Burstein writes that partisan Roman writers would later accuse Cleopatra of cowardly deserting Antony, but their original intention of keeping their sails on board may have been to break the blockade and salvage as much of their fleet as possible.

[325][327] When she met with Octavian, Cleopatra told him bluntly, "I will not be led in a triumph" (Ancient Greek: οὑ θριαμβεύσομαι, romanized: ou thriambéusomai), according to Livy, a rare recording of her exact words.

[363] Although the command economy that she managed was more of an ideal than a reality,[364] the government attempted to impose price controls, tariffs, and state monopolies for certain goods, fixed exchange rates for foreign currencies, and rigid laws forcing peasant farmers to stay in their villages during planting and harvesting seasons.

[425] Cleopatra had actually achieved this masculine look in coinage predating her affair with Antony, such as the coins struck at the Ascalon mint during her brief period of exile to Syria and the Levant, which Joann Fletcher explains as her attempt to appear like her father and as a legitimate successor to a male Ptolemaic ruler.

[3][433][435][note 71] Francisco Pina Polo writes that Cleopatra's coinage present her image with certainty and asserts that the sculpted portrait of the Berlin head is confirmed as having a similar profile with her hair pulled back into a bun, a diadem, and a hooked nose.

[416][443] The woman in the painting wears a royal diadem over her head and is strikingly similar in appearance to the Vatican Cleopatra, which bears possible marks on the marble of its left cheek where a cupid's arm may have been torn off.

"[416] Another painting from Pompeii, dated to the early 1st century AD and located in the House of Giuseppe II, contains a possible depiction of Cleopatra with her son Caesarion, both wearing royal diadems while she reclines and consumes poison in an act of suicide.

[304][305][note 75] The painting was originally thought to depict the Carthaginian noblewoman Sophonisba, who toward the end of the Second Punic War (218–201 BC) drank poison and committed suicide at the behest of her lover Masinissa, King of Numidia.

[450] A steel engraving published by John Sartain in 1885 depicting the painting as described in the archaeological report shows Cleopatra wearing authentic clothing and jewelry of Egypt in the late Hellenistic period,[451] as well as the radiant crown of the Ptolemaic rulers, as seen in their portraits on various coins minted during their respective reigns.

[47][48] In it she wears a royal diadem, red or reddish-brown hair pulled back into a bun,[note 77] pearl-studded hairpins,[452] and earrings with ball-shaped pendants, the white skin of her face and neck set against a stark black background.

[415][409] In his Kleopatra und die Caesaren (2006), Bernard Andreae [de] contends that this basalt statue, like other idealized Egyptian portraits of the queen, does not contain realistic facial features and hence adds little to the knowledge of her appearance.

[483] In his unfinished 1825 short story The Egyptian Nights, Alexander Pushkin popularized the claims of the 4th-century Roman historian Aurelius Victor, previously largely ignored, that Cleopatra had prostituted herself to men who paid for sex with their lives.