The idea of the daimonic typically means quite a few things: from befitting a demon and fiendish, to be motivated by a spiritual force or genius and inspired.
Some scholars suggest a distinction between the terms: whereas theos was the personification of a god (e.g. Zeus), daimon referred to something indeterminate, invisible, incorporeal, and unknown.
Similarly, those such as Plutarch (1st century AD) suggested a view of the daimon as being an amorphous mental phenomenon, an occasion of mortals to come in contact with a great spiritual power.
[4] One scholar having claimed this elaborates in an interview:The daimonic (unlike the demonic, which is merely destructive) is as much concerned with creativity as with negative reactions.
So they are kind of like little oracles of Delphi, or canaries in a coal mine, sensing the dangers, the conflicts, the cultural shadow, and trying to give it some meaningful expression.
[15]In psychology, the daimonic refers to a natural human impulse within everyone to affirm, assert, perpetuate, and increase the self to its complete totality.
With its obligation to protect the complete maturation of the individual and the unification of opposing forces within the Self, the inner urge can come in the form of a sudden journey (either intentional or serendipitous), a psychological illness, or simply neurotic and off-center behavior.
The psychologist Rollo May conceives of the daimonic as a primal force of nature which contains both constructive and destructive potentialities, but ultimately seeks to promote totality of the self.
A pitfall of the Jungian doctrine of the shadow is the temptation to project evil onto this relatively autonomous 'splinter personality' and thus unnecessarily fragment the individual and obviate freedom and responsibility.
Typically, the daimonic tale centers around the Solitary, the central character of the story, who usually is introduced in innocence, wealth, and often arrogance.
The fall or descent (from hubris) into the liminal world where light and dark meet is usually very dramatic and often torturing for the hero and the audience alike, and comes in myriad forms.
In the depths, in hitting bottom, he ultimately discovers his own fate and tragedy (catharsis), and in a final climax is either broken or driven towards rebirth and self-knowledge.