After moving to New York Stingily began creating and showing her Kaas works in group exhibitions such as The End of Violent Crime at Queer Thoughts and Denude at Ramiken Crucible.
[15] She has performed readings with fellow artists and writers Justin Allen, Rindon Johnson, Juliana Huxtable, and Andrew Durbin.
[19] On view were larger and more elaborate Kaas sculptures, used doors with locks, baseball bats, telephone cords, and a video work obstructed by a chain-link fence.
The exhibition, "teased out issues of racial violence," in America, specifically Stingily's hometown of Chicago and New York.
Stingily created her largest Kaas sculpture-to-date, a hair braid piece that pierced through four floors of the museum.
Curator Johanna Fateman writes in Artforum that Diamond's work, "reflects on the normalization and replication of brutal scripts and systems using perfect, pervasive materials.
"[32] California-based curator Hanna Girma notes that "Stingily courageously navigates between consolation and discomfort, personal and shared memory.
Her work celebrates youthful perception, black creativity and resilience while simultaneously thrusting the viewer into their current disposition, with its fear of contact, normalized violence and ancestral hardship.