[2] The composer, having learned bass out of convenience, was heavily inspired by Italian operas and wrote six of his own.

[3] The concerto is composed in the typical romantic style with the orchestra and soloist playing equal rolls, switching between melody and support.

The first movement consists of a short introduction, after which the bass takes on a lyrical bel canto style.

Bottesini imitates the human voice closely, utilizing both soprano and bass ranges.

The second movement is characterized by dramatic, unexpected dynamic changes and the incorporation of the Italian lament style.