The tour began on March 29, 2019 in Buenos Aires at the Hipódromo de San Isidro, as part of the 2019 Lollapalooza Argentina music festival.

[1] The single became an instant smash and caught the eyes of the media and critics, who praised the Barcelona-born new flamenco singer for her "soft liquid velvet voice".

In November 2018, after a lot of expectations about the singer's musical future, Lollapalooza announced that the festival would feature Rosalia's participation at the Argentine and Chilean editions, in March 2019.

[4][5] As of performances in Spain, Rosalía brought her world tour to her hometown, Barcelona, on the first of June as a headliner of the Primavera Sound 2019 edition.

[14] On December 4, 2019, Billboard named Rosalía's Webster Hall shows in New York City the second-best concert of 2019 in the United States.

[15] As for the European festival tour leg, Spanish newspaper ABC said that Rosalía's Primavera Sound show in Barcelona "was a triumphal comeback home that has made history by reuniting over 63,000 people The scenic design, with a minimalist and sober play of lights and a central cube from which the singer and six dancers responded with gymnastic movements to the dialogue of electronic bases and flamenco palms, only reinforced the impact of an exciting hand in hand between tradition and modernity, between deep respect for its formation".

[18] The solo tour stops were attended by many celebrities and public personalities such as Naomi Campbell, Jon Kortajarena, Kylie Jenner, Billie Eilish, Bad Bunny, Rauw Alejandro, Nathy Peluso, Gigi Hadid, Dua Lipa, Caetano Veloso, Riccardo Tisci, Pere Aragonès, Ada Colau and Belén Esteban, among others.

[30] On September 18, 2019 the presale for Rosalía's arena shows in Madrid and Barcelona sold 1,000 tickets in a couple minutes, collapsing the Live Nation website.

[32] A controverse including ticket resale websites like StubHub[33] pushed Rosalía to add a second date in Barcelona for December 8, 2019 that same day.

[35] The stage consists of a large flat black pallet with a smaller one on top of the principal one and a huge screen in the back which is used for visual support and interludes.

Then Rosalía emerges from the stage to dance with her backup dancers popularly known as "Las 8 Rosas" (Spanish for "The 8 Roses") for over a minute and a half.

After this, the singer is left alone on stage to shout the name of the city she is performing in and to sing the first notes of "Pienso en tu Mirá".

"Que No Salga La Luna" is followed by "Maldición" where, instead of a falling diamonds background video, a solid light pink image is shown to the public.

After the song, Rosalía introduces her 2016 track "Catalina", which she wrote alongside Catalan guitarist Raül Refree.

The message consists of the lyrics of the 1974 track "Te Estoy Amando Locamente" originally sung by Las Grecas.

The video ends right after the singer sends the second text message which says "t estoy amando lokamente" followed by 232 red broken heart emojis.

The act ends with a remix by El Guincho of Rodolfo Parrita's 2012 track "Cositas del Ayer" (also known as "No Me Llames Más Que Ya No Voy") which is choreographed by "Las 8 Rosas" and the singer herself.

The final act opens with the dancers entering a light blue hologram triangle to dance to Plan B's 2010 track "Es un Secreto".

The song transitions right after Rosalía appears on stage to another unreleased track "Lo Presiento", which is rumored to be a discard of her 2018 album "El Mal Querer".

A remix of the song created by El Guincho starts playing while Rosalía introduces her on-stage collaborators to the public and thanks the audience before leaving shortly after.