He subsequently became well known for his ironic interpretations of hybrids between traditional Iranian forms and those of the consumerist and globalized popular culture widespread in his country.
[2] In the early 2000s, Moshiri was most readily associated with his paintings of jars, which are decorated with traditional Iranian sayings and poetic verse, written in Persian calligraphy.
[3] Other significant works include Stereo Surround Sofa (2004), Silver Portrait on Red (2004), Diamond Brain (2004–05) and A Dream in Tehran (2007).
Moshiri was also interested in the repetition of numbers and letters in scripts for their intrinsic beauty as opposed to any literal meaning or sense they might hold.
[4] Moshiri was represented by The Third Line gallery in Dubai,[5][6] Galerie Emmanuel Perrotin in Paris, New York, Tokyo and Hong Kong,[7] Rodolphe Janssen in Brussels, and Thaddeus Ropac in Salzburg and London.