The set list included renditions of songs from artists such as Elton John, Chris Isaak, George Michael, Sara Bareilles, Dua Lipa, and Billie Eilish.

Initially scheduled for Valentine's Day, Freedom was postponed due to potential COVID-19 exposure among the production team, in line with strict quarantine guidelines affecting the city.

[6] Velasquez stated that the concert's name and concept were based on her desire to have "freedom of singing" anything she wanted,[7] seeking to perform new material from several music genres and viewing it as an opportunity to challenge herself.

[8][7] With Freedom, Velasquez wielded more creative control, heavily involved in its planning and production, and she claimed the project fueled her artistic growth and maturity.

[10] Her main objective was to perform the songs with "an exciting twist",[9] though she felt pressure with continuing to surprise her audience with her showmanship because they had set the bar high for her.

[12][7] The Philippine Star reported the show had a total of 20 production numbers and a running time of two hours, writing that it was one of the singer's "biggest online concerts".

She descended the podium and went straight into her rendition of "Brave" (2013) by Sara Bareilles, accompanied by female dancers performing a lyrical dance routine.

To begin the third act, Bamboo Mañalac went onstage for a performance of his 2004 single "Masaya", before Velasquez, in a white silk suit, joined him for a duet of "Himala" (1996).

[15][17] For the final act, Velasquez donned a yellow off-the-shoulder dress and began with Bob Dylan's "Make You Feel My Love" (1997) and Madonna's "Crazy for You" (1985), which she dedicated to her son and husband.

Patti Austin's "I Will Remember You" (1991) was performed for an in memoriam segment that paid tribute to individuals in the Philippine entertainment industry, including those who had died from COVID-19.

"[19] A music critic from the Manila Standard remarked on the show's "intimate yet explosive live performance", making reference to her covers of "When the Party Is Over", "Baby One More Time", and "Goodbye Yellow Brick Road" that "bared Regine's beautiful range and exceptional artistry".