After an early encounter with the French Symbolists, he took an interest in the Italian Renaissance period before turning to the more relaxed style of Naturalism in Skagen and Civita d'Antino.
In 1890, he was introduced to Paul Gauguin and his friends in France, leading him to associate with Johannes Jørgensen, founder of the journal Taarnet which promoted Symbolism.
The Symbolist style clearly comes out in his Den hellige Frans og de tre hvide jomfruer and in the other works he exhibited at Kunsthal Charlottenborg in 1893.
However, his journeys to Italy from 1890 soon inspired him to take an interest in Italian Renaissance art, prompting him to copy works by Masaccio and Lorenzo di Credi.
He also became a frequent visitor to the artists' colony in Skagen in the north of Jutland where he and his wife Tupsy were often in the company of Laurits Tuxen and Viggo Johansen.