Gennaro Maldarelli

He often painted decorations in a Pompeian Grottesque style for Neapolitan nobility, including the palaces of Ruffo della Scaletta [it], Doria d'Angri, Colonna di Stigliano, and San Teodoro [it].

The British diplomat and critic Lord Napier haughtily disdained this work as disfiguring the face of Naples.

[1] Maldarelli was very active for the restored Bourbon monarchy and decorated some rooms of the Royal Palace of Naples and in what is now the Biblioteca Nazionale.

In 1845, he helped decorate the ceiling of the throne room of the Reggia di Caserta depicting the Ceremony of the Placement of the First Stone.

[2] Among the works that have been lost are a canvas of The Annunciation for the church of Mater Dei; a theater curtain (sipario) for the Teatro San Carlo (1844); some decorations for the Villa Favorita at Ercolano; three canvases depicting the Creation for the Zoological Cabinet at the University of Naples; and the ceiling decorations for the great hall of Royal Metereologic Observatory at Vesuvius.

The abdication of Charles of Bourbon from the crowns of Naples and Sicily, in favor of his son Ferdinand