With Pellegrino da San Daniele he is one of the main representatives of Renaissance art in the Friuli region of north-east Italy.
This work was highly criticized by Giacomo Gordino, the dean of the chapter of the cathedral, in a letter to Domenico Grimani, Patriarch of Aquileia, complaining of the martial aspect given to St. Mark by the painter, which may be a portrait of Antonio Loredan, lieutenant of Friuli.
These two altarpieces demonstrate Martini's knowledge of the works of Alvise Vivarini and Cima da Conegliano, and are connected with the traditions of Friuli.
He completed a wooden altar in 1515 for the church of Santa Maria delle Grazie in Prodolone (in San Vito al Tagliamento).
It is divided into registers and subdivided into individual cells, as previously, but it has a spatial continuity through the columns of the architectural framework, as can be seen for example linking the Pietà group and the Dormitio Virginis.