Afterwards, in order to curb his too vivacious disposition, he placed the boy under the charge of a priest near the village, whose severity did perhaps more evil than good.
On graduating, Giusti proceeded to establish himself in Florence, Italy, claiming to his parents it was to practice law, but he instead pursued his literary interests.
[3] He lived gaily, though his father kept him short of money,[citation needed] and learned to know the world, seeing the vices of society, and the folly of certain laws and customs from which his country was suffering.
From this time he showed himself the Italian Béranger, and even surpassed the Frenchman in richness of language, refinement of humour and depth of satirical conception.
In 1834, Giusti, having at last earned a degree legal profession, left Pisa to go to Florence, nominally to practice with the advocate Capoquadri, but once there, he set out to enjoy life in the then-capital of Italy, Tuscany, where he devoted himself to literary interests.
The greater part of his poems were published clandestinely at Lugano, at no little risk, as the work was destined to undermine the Austrian rule in Italy.
His friendship for the marquis Gino Capponi, who had taken him into his house during the last years of his life, and who published after Giusti's death a volume of illustrated proverbs, would also compromise him in the eyes of people such as Francesco Domenico Guerrazzi, Giuseppe Montanelli and Giovanni Battista Niccolini.
He called them his "scherzi" ("jokes," or "light, playful verse"), and they were short lyrics of varied themes, some about love, others political or social commentaries.
The type of his satire is entirely original, and it had also the great merit of appearing at the right moment, of wounding judiciously, of sustaining the part of the comedy that "castigat ridendo mores."
Alexander Manzoni in some of his letters showed a hearty admiration of the genius of Giusti; and the weak Austrian and Bourbon governments regarded them as of the gravest importance.