Its aim, directly inspired by the example of Dublin's Abbey Theatre (which had brought its first tour to Glasgow in 1907 with plays by J. M. Synge and W. B. Yeats), was to break Scotland's theatrical dependence on London.
[1] Over the previous thirty years, Scottish theatrical activity had been increasingly dominated by touring London companies using transport by rail to bring their productions north, a situation that had effectively contributed to the demise of the country's own stock theatre companies, which had had growing success in the mid-nineteenth century.
[3] One of the ironies of the company's existence was its rejection in 1910 of Graham Moffat's Scots Language comedy The Causey Saint which, under the title Bunty Pulls the Strings, went on to become the box office smash hit of London's West End in 1911[4] and continued to win outstanding success on international tour.
[5] Glasgow Repertory folded in the autumn of 1914 with the theatre closures which took effect in Britain in the weeks immediately after the start of World War I; this even though the company, in its final season, had broken even for the first time in financial terms.
When James Bridie eventually established Citizens' Theatre in 1943, his principal direct model was Wareing's Glasgow Repertory.