Jami completed the work as seven books following a masnavi format: The term Haft Awrang itself is a reference to the seven stars that form the Big Dipper (the Plough or دب اکبر).
[3] The manuscript's journey can be traced across the centuries and several empires through official seal stampings on its pages and variations in materials and styles particular to certain periods and locations throughout the Persia, India, and Europe.
At least five calligraphers contributed to the manuscript's creation: Shah Mahmud Nishapuri, Rustam 'Ali, Muhibb 'Ali, Malik al-Daylami, and Ayshi ibn Ishrati.
A page with inspection notes and more seal impressions was added to the end folio which references Shah Jahan I (r. 1628-1658) and his successor Awrangzib (r.1658-1707).
[4] Scholars believe it travelled back to the region which is now Iran by the late eighteenth or nineteenth century, as the first folio exhibits illumination in the Qajar period style (1785-1906).