Incident at Map Grid 36-80 (Russian: Случай в квадрате 36-80, romanized: Sluchay v kvadrate 36-80) is a 1982 Soviet military action movie by Mikhail Tumanishvili.
[1] The film is set in the 1980s, when Soviet Naval Aviation Tu-16 pilots risk death to help stop an American submarine whose defective reactor threatens a nuclear meltdown.
The main element of the American exercises is training for the attack on the Soviet squadron from a multipurpose nuclear submarine.
A special Hughes computer is capable of launching missiles at targets previously programmed into warheads, without human intervention.
The crew of the air tanker under the command of Major Gennady Volk performs the usual task of aerial refueling of the reconnaissance aircraft in the exercise area.
The commander of Northern Fleet aviation, Major General Pavlov, intends to select the most capable pilots for retraining for new aircraft.
After a meeting, the commander of the Northern Fleet, Admiral Spirin, decides to send a Tu-16 aircraft to the submarine, carrying a boat and a group of repairmen.
Meanwhile, the commander of the American squadron, Admiral Rink, receives information that Soviet forces sent a rescuer to Turner's submarine.
Orion takes up position in front of Soviet aircraft and tries to prevent them from docking by directing turbulent jets from the engines towards them.
This leads to a short circuit, and the computer issues a weapon system command to fire a missile salvo at Soviet ships, the target data having been entered during the exercise.
But Admiral Rink communicates with Spirin and convinces him to postpone the attack for 10 minutes explaining that the launch of the missiles is a consequence of a malfunction, the Americans themselves will sink the submarine after the crew leaves it.
According to Tony Shaw, Professor of Contemporary History at University of Kansas, the film serves as a Soviet counterpart to Rambo: First Blood Part II.
[2] According to Robert D. English, the positive depiction of the Soviets in contrast to the Americans is an example of the methods used to shape cultural perceptions during the late Cold War.