[2] On the heels of the album's success, Farmer was also named Best Female French-language Artist in two consecutive years: 2000 and 2001.

The singer spent most of this time traveling many countries (such as China, Ireland, Italy and the United States), where she drew her inspiration for her next album, giving it a greater ethnic orientation.

Finally, the album was released on 7 April, almost a month after the lead single "L'Âme-stram-gram" and was named Innamoramento, in reference to the book by Francesco Alberoni mentioned above.

[4] The cover shows Farmer dressed in white on top of an open iron cage in the middle of the ocean.

The album deals with Farmer's anxieties, such as pain, unhappy love, sexuality and the passage of the time.

DH Magazine stated that this album doesn't contain "any surprise, but is "tidy, less sophisticated than Anamorphosée, and ultimately captivating.

For example, one magazine declared that "the musical climates remain the same, with arrangements with big spectacle and an evident dance efficiency", but with "too many strings, (...) too many background vocals, no place to breathe".

It was finally trashed as a "Destroy" by Claude Rajotte of Canada's Musique Plus defunct show Le cimetière des CD, the same critic who had praised Farmer's previous effort, Anamorphosée.

The text evokes the astrology and the supreme god of gnostic (cited under the acronym 'IAO' = Isis, Apophis and Osiris).