Italian modern and contemporary architecture

After the dissolution of the group, its distinguished figures Giuseppe Terragni (Casa del Fascio, Como), Adalberto Libera (Villa Malaparte in Capri) and Giovanni Michelucci (Santa Maria Novella Station in Florence, in collaboration) emerged.

Marcello Piacentini, who was responsible for the urban transformations of several cities in Italy, and remembered for the disputed Via della Conciliazione in Rome, devised a form of "simplified Neoclassicism".

The period of time following the end of World War II was marked by several architectural talents, such as Luigi Moretti, Carlo Scarpa, Franco Albini, Giò Ponti, and Tomaso Buzzi, amongst others, with various styles.

The Postmodern style in architecture, anticipated by Paolo Portoghesi around 1960, can be seen in the "Teatro del Mondo" (Theatre of the World) built by Aldo Rossi for the Venice Biennale of 1980.

[1] Among the principal architects working in Italy between the end of the 20th and the beginning of the 21st centuries were Renzo Piano (Stadio San Nicola in Bari, restructuring the Old Port of Genoa, Auditorium Parco della Musica in Rome, Padre Pio in San Giovanni Rotondo), Massimiliano Fuksas (skyscraper in the Piedmont region, Convention Center in the EUR), Gae Aulenti (the Railway Museum (Naples metro) of Naples underground), the Swiss Mario Botta (Museum of Modern and Contemporary Art of Trento and Rovereto, renovation of the Teatro alla Scala in Milan), Zaha Hadid (National Museum of the 21st Century Arts in Rome, skyscraper "Lo Storto" in Milan), Richard Meier (Church of God Merciful Father and the casket of the Ara Pacis, in Rome), Norman Foster (Campus Luigi Einaudi in Turin, and the Belfiore station in Florence), Daniel Libeskind (skyscraper "Il Curvo" in Milan) and Arata Isozaki (Palasport Olimpico in Turin, with Pier Paolo Maggiora and Marco Brizio, "Il Dritto" skyscraper in Milan).