Ivory tower

An ivory tower can be a place where people choose to disconnect from the rest of the world to follow of their own interests, usually mental or esoteric ones.

It originates with the Song of Songs 7:4 ("Your neck is like an ivory tower", Hebrew: מגדל השן, romanized: miḡdal haš-šên; in the Hebrew Masoretic text, it is found in 7:5) and was included in the epithets for Mary in the sixteenth-century Litany of the Blessed Virgin Mary ("tower of ivory", turris eburnea in Latin), though the title and image were in use long before that, since the 12th-century Marian revival at least.

[6] The first modern usage of "ivory tower" in the familiar sense of an unworldly dreamer can be found in a poem of 1837, "Pensées d'Août, à M. Villemain", by Charles Augustin Sainte-Beuve, a French literary critic and author, who used the term "tour d'ivoire" for the poetical attitude of Alfred de Vigny as contrasted with the more socially engaged Victor Hugo: "Et Vigny, plus secret, Comme en sa tour d'ivoire, avant midi rentrait".

Paralleling James' own dismaying experience of the United States after twenty years away, it chronicles the effect on a high-minded returning upper-class American of the vulgar emptiness of the Gilded Age.

[citation needed] The term has a rather negative flavor today, the implication being that specialists who are so deeply drawn into their fields of study often can't find a lingua franca with laymen outside their "ivory towers".

In Andrew Hodges' biography of the University of Cambridge scientist Alan Turing, he discusses Turing's 1936–38 stay at Princeton University and writes that "[t]he tower of the Graduate College was an exact replica of Magdalen College, and it was popularly called the Ivory Tower, because of that benefactor of Princeton, the Procter who manufactured Ivory soap.

Hawksmoor Towers are representative of the stereotypical academic ivory towers, at All Souls College, Oxford at the University of Oxford
An ivory tower, as symbol of Mary, in a "Hunt of the Unicorn Annunciation " ( c. 1500) from a Netherlandish book of hours . For the complicated iconography , see Hortus Conclusus .