Thereafter, they made and sold many similar jackalopes to a retail outlet in South Dakota, and other taxidermists continue to manufacture the horned rabbits into the 21st century.
The underlying legend of the jackalope, upon which the Wyoming taxidermists were building, may be related to similar stories in other cultures and other historical times.
Folklorists see the jackalope as one of a group of tall tale animals, known as fearsome critters, common to North American culture since the turn of the twentieth century.
The adults grow to about 3 feet (1 m) tall, weigh up to 150 pounds (68 kg), and can run at sustained speeds approaching 60 miles per hour (97 km/h).
[6] Natural history texts such as Historiae Naturalis de Quadrupetibus Libri (The History Book of Natural Quadrupeds) by Joannes Jonstonus (John Jonston) in the 17th century[5] and illustrations such as Animalia Qvadrvpedia et Reptilia (Terra): Plate XLVII by Joris Hoefnagel (1522–1600) in the 16th century[7] included the horned hare.
These early scientific texts described and illustrated the hybrids as though they were real creatures, but by the end of the 18th century scientists generally rejected the idea of horned hares as a biological species.
"[8] Legends about horned rabbits also occur in Asia and Africa as well as Europe, and researchers suspect the changes induced by the virus might underlie at least some of those tales.
[10] The rabbit and deer were paired, though not combined as a hybrid, as day signs in the calendar of the Mesoamerican period of the Aztecs,[11] as twins, brothers, even the sun and moon.
[16] Building on the Herrick's success, Frank English of Rapid City, South Dakota has made and sold many thousands of jackalopes since retiring from the Air Force in 1981.
According to Dorson, in Mythical Creatures of the North Country (1969), historian Walker D. Wyman acknowledged the existence of what he called the Alkali Area Jackalope of the western United States.
However, he expressed doubt that it predated the Jack-pine Jackalope of Minnesota and Wisconsin, "a mythological throwback that defies even the most competent biologists of the region."
"[18] In a 1978 revision and expansion of his book, which includes material on the rubberado porcupine, the snoligoster, the three-tailed bavalorus, the squonk, and many other creatures, Wyman devotes four pages to the jackalope.
Evidence of wide dispersal of Lepus antilocapra wyomingensis from its original range, he claims, are labels such as "Tioga, Pennsylvania," and "Hongkong" stamped on mounted jackalope heads in barrooms across the United States.
[20] It is said that jackalopes, the rare Lepus antilocapra, breed only during lightning flashes and that their antlers make the act difficult despite the hare's reputation for fertility.
[30] Since Herrick and his brother began selling manipulated taxidermy heads in the 1930s, such trophies, as well as jackalope postcards and related gift-shop items, can be found in many places beyond Douglas.
[33] In 1986, James Abdnor, a senator from South Dakota, gave U.S. president Ronald Reagan a stuffed jackalope (rabbit head with antlers) during a presidential campaign stop in Rapid City.
The WorldCat summary of Anaya's book says: "Competing for the hand of the lovely Rosita and her rhubarb pie, Juan rides a Jackalope in a race against Pecos Bill.
In the late 1980s, it performed what Nakai called "synthacousticpunkarachiNavajazz", which combined "improvisation, visual art, storytelling, dance and dramatic theatrical effects.
[48][49] An Odessa sports writer expressed concern about the team's name, which he found insufficiently intimidating and which sounded like "something you might eat for breakfast.
[52] Folklorist John A. Gutowski sees in the Douglas jackalope an example of an American tall tale publicized by a local community that seeks wider recognition.
In addition to the jackalope, his examples include the sea serpent of Nantucket, which in 1937 led to "stories of armadas hunting the monster, and footprint discoveries by local businessmen", accompanied by wide publicity.
In similar fashion, Newport, Arkansas, publicized its White River Monster, and Algiers, Louisiana, claimed to be home to a flying Devil Man.
The same motif, he notes, appears in American novels such as Moby Dick and Old Man and the Sea and in monster movies such as King Kong and Jaws and in world literature such as Beowulf.
What is not global, Gutowski says, is the embrace of local monster tales by American communities that put them to use through "public relations hoaxes, boisterous boosterism, and [a] carnival atmosphere...
[53] Folklorist Richard M. Dorson also cites the "booster impulse, mingled with entrepreneurial hoaxing" as the way that Douglas with its jackalope, Churubusco with its giant turtle, and other towns with their own local legends rise above anonymity.