After training at the Conservatoire de Paris under Madeleine Mathieu, she debuted on 13 October 1946 at the Opéra-Comique as the Countess in Le nozze di Figaro.
In 1956 she debuted at La Scala, Milan as Fiordiligi in Così fan tutte, in 1957 as Louise in the opera of the same name by Charpentier, in the season of 1956-57 as Concepción in L'heure espagnole by Maurice Ravel.
She appeared as a guest in Johannesburg (1957) and in Prague (1967), in the Opéra Royal de Wallonie (1964 in the title role in Thaïs by Massenet) and in Oran (1961).
[4] From her other versatile stage repertoire, she sang Konstanze in Die Entführung aus dem Serail, the Marschallin in the Der Rosenkavalier, Renata in The Fiery Angel by Prokofiev (Opéra-Comique, 1967), and Béatrice in Un sguardo sul ponte by Renzo Rossellini (Bordeaux 1965, possibly the first French performance of that opera).
In 1952 she sang the soprano part in the recording of Mozart's Coronation Mass by the Pasdeloup Orchestra directed by Alphonse Hoch, Pathe 33 DT 1015