He is considered one of the Four Pillars (Char Stambh) of Romanticism in Hindi Literature (Chhayavad), along with Sumitranandan Pant, Mahadevi Verma, and Suryakant Tripathi 'Nirala'.

In 1960s, Shanta Gandhi Professor of Ancient Indian Drama while at National School of Drama, revived interest in Jaishankar Prasad's plays for modern Indian theatre, by successfully staging his most important play Skanda Gupta written in 1928, with little changes to the original script.

Violent storms shake its spreading branches, while a thin stream of water plays hide-and-seek amongst its root.

Even under the most heavy snowfall, the most fierce heat, and the torrential rain, the fir tree holds its head high.

Even in the midst of the worst thunderstorm and blizzards, it remains steady and unflinching.” Regarding his influence in Indian literature, the late scholar David Rubin wrote in The Return of Sarasvati (Oxford, 1993):- "To Jayshankar Prasad belongs the credit of making the first successful leap forward in the development of a genuine poetic art in khari boli Hindi and giving it, in Ansu, its first masterpiece."