[2] Madere began exhibiting his large scale installations internationally with the generational survey of monumental works DOOM: SURFACE Controle curated by Renaud Jerez at Le Magasin - Centre National d'Art Contemporain, Grenoble FR.
The following year Madere expanded upon this string of Frozen Operas with Stepped Onto The Moving Stairs Before I Could Tie My Shoes in Berlin and En Route To Burn The Palace I Was Told So Much Of The Queen's Virtues That By The Time I Reached The Gate I Had Become A Guard within their installation Pavilion Du Voyageurs for Nicolas Bourriaud's 16th edition of the Istanbul Biennial, The Seventh Continent.
In 2021, Madere staged their fourth Frozen Opera, The Unpopular Courage of Dutchess Orchid Drop on the artificial snowboarding slope of Copenhagen's trash burning power plant Copenhill.
[18][20][21] After moving to Brooklyn, New York, he opened the Bed-Stuy Love Affair gallery in 2013-2016, where he exhibited the work of many of his contemporaries, including Bradley Kronz, Jessi Reaves, and Jake Cruzen.
[30] Noam Segal writes for the catalog of Nicolas Bourriaud's Crash Test, in both his artistic practice, Madere's works focus on "the annulment of any hierarchical order in the material and symbolic realm" and "the abolition of structures such as the superiority of discourse and western time perception.