Jean Chalgrin

His neoclassic orientation was established from his early studies with the prophet of neoclassicism Giovanni Niccolò Servandoni and with the radical classicist Étienne-Louis Boullée in Paris and through his Prix de Rome sojourn (November 1759 – May 1763) as a pensionnaire of the French Academy in Rome.

His time in Rome coincided with a fervent new interest in Classicism among the young French pensionnaires, under the influences of Piranesi and the publications of Winckelmann.

In this church, which was built 1772–84, he revived a basilica plan that had not been characteristic of French ecclesiastical architecture since the sixteenth century.

[1][2][3][4] Towards the end of the French Revolution in 1798 Chalgrin threw up the buildings for the first Exposition des produits de l'industrie française, with an extremely tight deadline.

[5] After the Revolution Chalgrin extended the Collège de France and made alterations in the Palais du Luxembourg to suit it to its new use as the seat of the Directoire.

Jean Chalgrin (1786)
Chalgrin's drawing of the Arc de Triomphe, 1806.