Jean-Henri d'Anglebert

It also contains music by Louis Couperin and Chambonnières, and possibly originated in their immediate circle; thus already by the mid-1650s D'Anglebert must have been closely associated with the most prominent French harpsichordists of the time.

D'Anglebert's career in Paris must have begun at the Jacobins church in Rue St. Honoré, where he was still organist in January 1660.

In August 1660 he succeeded Henri Dumont as harpsichordist to Philippe I, Duke of Orléans, the King's younger brother.

D'Anglebert's principal work is a collection of four harpsichord suites published in 1689 in Paris under the title Pièces de clavecin.

The volume is dedicated to Marie Anne de Bourbon, a talented amateur harpsichordist who later studied under François Couperin.

Apart from its contents, which represents some of the finest achievements of the French harpsichord school (and shows, among other things, D'Anglebert's thorough mastery of counterpoint and his substantial contribution to the genre of unmeasured prelude), Pièces de clavecin is historically important on several other counts.

D'Anglebert's arrangements are, once again, some of the finest pieces in that genre, and show him experimenting with texture to achieve an orchestral sonority.

Jean-Henri d'Anglebert
The complete table of ornaments from d'Anglebert's Pièces de clavecin .