[1][2] She first worked in the audio-visual industry, handling tasks usually forgotten in the credits in television scripts, notably for Arpad, the Gypsy (1973-1974), Spartakus and the Sun Beneath the Sea and Rahan [fr] (1985-1987).

[4] She wrote reviews and columns for a number of magazines, including Fiction, L'Inconnu, Creepy, Vampirella and L'Écho des savanes.

[3] She collaborated with her companion Henri Lehalle on L'Amie-nuit, a book of poetic texts and photos featuring the two authors, often nude, with a fantasy tinge.

[5][6] Les Olympiades truquées (1980, rewritten in 1987) and Bébé-miroir (1988) were created in parallel, and are two coming of age novels, each featuring teenage girls who have everything working against them.

[7][3] Chromoville [fr], a novel published in 1984, takes place in a dystopian city organized around castes, identified by colours: red for workers, blue for merchants, purple for town planners...

For Roland C. Wagner : this is without doubt the author's most accomplished creation of a universe, and certain passages are reminiscent of a hypothetical Jack Vance who knew the heat of the emotionsThe novella Hétéros et Thanatos, published in Univers 1982 [fr], is according to Wagner : at once poetic and unrelentingly darkIt follows the history of Sélen le chorège, one of the characters from Chromoville.

[7] Le Créateur chimérique (1988) begins with the short story La Créode (Prix Rosny aîné 1988), in which she imagines humans reproducing by parthenogenesis.

[4] The same year, she becomes a member of the jury for the French SF award Grand prix de l'Imaginaire.

The title refers to the notion of Eden, while also constituting a humoristic nudge at her activity as an amateur beekeeper.

[9] The story follows three protagonists who each in their own specific way rebel against the established order which allows women kidnappings and gender inequality.