In addition, she also had a great love of reading and due to that, at the early age of thirteen, she discovered such important literary work as Episodios Nacionales (National Episodes) by Galdós (1843–1920).
However, it was not until she was fifteen years old when Josefina saw the movie El río (The River) by Jean Renoir (1951), that her keen interest in telling stories through films awoke.
Driven by a feminist spirit, it was leading this group that she worked for the first time as a theatre director, bringing on stage Casa de Muñecas (Dollhouse), from the Norwegian playwright Henrik Ibsen (1828–1906).
The first night of this play, which took place at the Salón Liceo del Círculo de la Amistad (Friendship Circle Lyceum Hall), was a resounding failure.
She managed to release four stagings (or performances if you prefer) and, at the same time, she reached out to different important local showbiz and media figures.
It was broadcast with great success on Radio Vida in a section entitled La mujer y el cine (Women and Cinema).
[8] Molina studied political science and in 1962 she founded the theatre group Teatro de Ensayo Medea in her hometown and led several productions.
In those days, she shot many dramas for the Spanish Television (Estudio 1 [Study 1], Hora once [Eleventh hour], Teatro de siempre [The same theater as always] etc.).
"[9] She adapted and directed several productions such as Motín de Brujas (Riot of Witches) by Josep Maria Benet, No puede ser el guardar una mujer (There is no Guarding a Woman) by Agustín Moreto, Cartas de Amor (Love letters) by A. R. Gurney and La Lozana Andaluza (The healthy Andalusian girl), an adaptation by Rafael Alberti of the play by Francisco Delicado.
It had a great cast which included Fernando Fernán Gómez, Adolfo Marsillach, Concha Velasco and other renowned actors.
In 2011 the Spanish Academy of Film Arts and Sciences granted her the Honorary Goya Award, whose gala she was unable to attend.
"They asked me for a book based on the television series, but as I left one episode out of the final version, I preferred to write about it: her trip to Andalucia – while the Inquisition was investigating her and the Order told her to be quiet.