From 1989 to 1992 he held a teaching position at GITIS and in 1987 he was a founding member of the theatre School of Dramatic Art - Antatolij Vasiljev.
In particular, he began to focus on continuous education for professional actors and directors and on the development of a communicable pedagogy and methodology for acting teachers.
With ‘School after Theatre’, a cooperation with GITIS, Alschitz introduced to Western Europe the principle of continuous professional education for actors and directors.
Between 1995 and 2009 this three-year programme was delivered to 9 different classes with modules held in Estonia, Greece, Germany, Italy, Norway, Sweden and Russia.
He had already received international attention for his presentation of this theme at the first World Conference of Rectors of Higher Education Institutions in 1999,[8] completely reappraising the role of acting pedagogues and making the training of trainers the highest priority for the development of the theatre.
The festival subsequently took place biannually in Italy, Sweden, Russia and Cyprus, each time with a different theme, becoming a think tank for new, unresearched approaches to theatre education.
[12][13] Since the foundation of the European Association for Theatre Culture, Alschitz has through seminars and laboratories educated and trained numerous actors and directors and thus built up his so-called ‘Team of Teachers’, who teach and disseminate his methodology worldwide.
International laboratories allowed Alschitz to develop new training exercises from the ideas and impressions he acquired worldwide, along with the latest findings from science and technology, such as those in fractal geometry, quantum physics, wave theory and resonance phenomena.