Kathe Burkhart (born 1958, Martinsburg, West Virginia) is an American interdisciplinary artist, painter, writer and art critic.
[3] Stills of Taylor taken from her films are painted in a cartoonish style with profane text imposed on top.
Jane Ursula Harris says Burkhart's work embodies: "ribald humor and [a] feminist-punk attitude.
"[4] Artist Keith Mayerson has said of Burkhart's series, "Reproduced chronologically, the portraits take on new life as a visual diary, a pictorial narrative in which we witness how women's freedom and spirit have been repressed by male-dominated capitalist culture, with Liz Taylor as our courageous avatar".
[5] 5 Minute Performance Olympics, High Performance, Los Angeles, 1984; Anti-Club, Lhasa Club, Los Angeles, 1985; Beyond Baroque, Venice, California, 1985; TV Generations Reading, LACE, Los Angeles, 1986; ABC NO RIO, New York, 1986; Feature, Chicago, and Greathouse, New York, 1988; 6 Women: The Word and the Will, The Knitting Factory, New York, 1989; Brand Name Damages, Brooklyn and elsewhere, 1991; Newyorican Poets Cafe, 1992; The Banquet, Thread Waxing Space, New York, 1992; Jail of Gender; A Theatrical Adaptation of the Poetry, Prose, and Visual Art of Kathe Burkhart, Cafe Voltaire and Transient Theatre, Chicago, 1994; Bob Flanagan Memorial Reading, Poetry Project, New York, 1996.