Bullitt's radio station later raised its output power to 50,000 watts, the maximum allowed in the United States.
When KRSC-TV first went on the air Thanksgiving Day, November 25, 1948, under other ownership, it was the only television station west of Minneapolis and north of San Francisco.
On 30 September 1948, the Federal Communications Commission announced a "freeze" on the granting of new television licenses (those already authorized were allowed to begin or continue operations).
Unable to resolve several important interference, allocation and other technical questions because of this rush, the FCC believed that the freeze would allow it to hold hearings and study the issues, leading to something of a "master blueprint" for television in the United States.
Therefore, from November 25, 1948, to December 10, 1953, when KOMO-TV came on the air, KING-TV was the only television station in Seattle, which allowed it to develop a progressive program, sales, and engineering infrastructure.
KING was the first local station in the United States to purchase a two-inch, quad, video tape machine from the Ampex Corporation at the National Association of Broadcasters (NAB) convention in 1956.
However, people called her the 'velvet steam roller,' which was a complimentary term meaning that she always used a kind, gentle hand when dealing with everyone.
The King Broadcasting stations were later acquired by the Belo Corporation in 1997 with its purchase of the Providence Journal Company.
It is still the licensee for the former King Broadcasting television stations, except KHNL, which Belo sold to Raycom Media in 1999, and (for a short while) KGW, which was spun off to Sander Media as part of the Belo acquisition due to Gannett's ownership of the Statesman Journal newspaper in Salem, Ore. Gannett operated KGW through a shared services agreement, an arrangement that was inherited by Tegna.
However, KGW was reunited with its King Broadcasting stablemates when Tegna fully acquired the Sander-held stations in December 2015.
The company financed Michael Roemer's film The Plot Against Harry, which became famous for having been completed in 1970 but not securing a commercial release until 1990.