Kṣitigarbha

Usually depicted as a monk with a halo around his shaved head, he carries a staff to force open the gates of hell and a wish-fulfilling jewel to light up the darkness.

His full name in Chinese is Dayuan Dizang Pusa (Chinese: 大願地藏菩薩; pinyin: Dàyuàn Dìzàng Púsà), or "Kṣitigarbha Bodhisattva of the Great Vow," pronounced Daigan Jizō Bosatsu in Japanese, Jijang Bosal in Korean, Đại Nguyện Địa Tạng Vương Bồ Tát in Vietnamese.

This name is a reference to his pledge, as recorded in the sutras, to take responsibility for the instruction of all beings in the six worlds in the era between the parinirvana of the Buddha and the rise of Maitreya.

[1] This foundation supported the role among people of Kṣitigarbha as he helped those who were in danger of falling into hell realm in hearing their confessions and to ensure their salvation.

[2] One of the widespread practices of Kṣitigarbha-worship in Japan was the citation and copying of the Lotus Sutra as it promised benefits in the present and future.

Kṣitigarbha satisfied those immediate needs and the mundane wishes of worshippers to the extent of delivering them to the Pure Land of Amida in the times of declining Dharma.

This sutra is said to have been spoken by the Buddha towards the end of his life to the beings of the Trāyastriṃśa Heaven as a mark of gratitude and remembrance for his beloved mother, Maya.

It stated that Kṣitigarbha practised filial piety as a mortal, which eventually led to making great vows to save all sentient beings.

[9] While she was pleading for help at the temple, she heard the Buddha telling her to go home, sit down, and recite his name if she wanted to know where her mother was.

She did as she was told and her consciousness was transported to a Hell realm, where she met a guardian who informed her that through her fervent prayers and pious offerings, her mother had accumulated much merit and had already ascended to heaven.

During the reign of Emperor Ming of Han, Buddhism started to flourish, reaching its peak in the Tang and eventually spreading to Korea.

A woman happened to pass by and gave the monk medicines to cure him of the venom, as well as a spring on her son's behalf.

For a few years, Jijang continued to meditate in his hut, until one day, a scholar named Chu-Ke led a group of friends and family to visit the mountain.

Mount Jiuhua was also property of a wealthy person called Elder Wen-Ke, who obliged to build a temple on his mountain.

Initially believing that a piece of sash could not provide enough land to build a temple, they were surprised when Jijang threw the kasaya in the air, and the robe expanded in size, covering the entire mountain.

In his left hand, Kṣitigarbha holds a tear-shaped jewel or cintamani (Chinese: 如意寶珠; pinyin: Rúyì bǎozhū; Japanese pronunciation: Nyoihōju) in his right hand, he holds a Khakkhara (Chinese: 錫杖; pinyin: Xīzhàng; Japanese pronunciation: Shakujō), which is used to alert insects and small animals of his approach, so that he will not accidentally harm them.

His image is similar to that of the fictional character Tang Sanzang from the classical novel Journey to the West, so observers sometimes mistake Kṣitigarbha for the latter.

This is in reference to a legend that he found his mother reborn in the animal realm as a dog named Diting, which the Bodhisattva adopted to serve as his steed and guard.In Japan, Kṣitigarbha's statues are often adorned with bibs, kerchiefs or kasa hat on his head, and sometimes dressed with a haori.

In folk beliefs, the mount of Ksitigarbha, Diting, is a divine beast that can distinguish good from evil, virtuous and foolish.

This story characterises traits of Jizō such as his benevolence towards those caught in the grasps of naraka (hell), the lowest realm of the six paths, and the practice of copying sutras to help them.

[2] In the common tradition associated with the Sai no Kawara (賽の河原) or the banks of the Sanzu River, Kṣitigarbha is portrayed as the protector of the souls of children, who are condemned to stack piles of stones vainly, for these towers are repeatedly toppled.

[20] Also, as to the identification of certain geographic features as Sai no Kawara on Osorezan mountain in northern Japan,[21] the establishment of the Kṣitigarbha cult there is of late-Tokugawa Period vintage, early to mid 18th century,[22] despite temple pamphlets (engi, or account of the founding of temples) purporting origins dating back to the 9th century, with the priest Ennin alleged to have established the place of worship for the Kṣitigarbha at Mt.

Kṣitigarbha statues are sometimes accompanied by a little pile of stones and pebbles, put there by people in the hope that it would shorten the time children have to suffer in the underworld.

The statues can sometimes be seen wearing tiny children's clothing or bibs, or with toys, put there by grieving parents to help their lost ones and hoping that Kṣitigarbha would specially protect them.

He is also believed to be one of the protective deities of travellers,[24] the dōsojin,[25] and roadside statues of Kṣitigarbha are a common sight in Japan.

In Theravada Buddhism, the story of a bhikkhu named Phra Malai with similar qualities to Kṣitigarbha is well known throughout Southeast Asia, especially in Thailand and Laos.

Ceramic statue of Kṣitigarbha in the Nguyễn dynasty , 19th century
Kṣitigarbha painting, Goryeo , late 14th century
Depicted with a crown, staff, and jewel (cintamani). Fo Guang Shan Buddhist Temple, London.
Painting of Kṣitigarbha as the Lord of the Six Ways from Mogao Grottoes in Dunhuang
Kṣitigarbha (or in Japanese, Jizō) statue at Osorezan ( Mt. Osore ), Aomori
Sentai-Jizō or 1000 Jizō Statues at Nasu, Tochigi . This landscape is compared to Sai no Kawara.
A small shrine of Kosodate-Jizō or Childcare-Kṣitigarbha at Nishi-Shinjuku , Tokyo
Korean painting of Kṣitigarbha as supreme ruler of the Underworld, late 18th century
Korean Joseon dynasty painting of Bodhisattva Jijang (Kṣitigarbha) and the Ten Kings of Hell
Statue of Phra Malai from the Phra Malai Manuscript of Thailand, c. 1860-1880
First page of Vietnamese Mahayana sutra Kṣitigarbha (Địa tạng Bồ Tát bản nguyện kinh), written in chữ Nho which was printed 300+ years ago.
Bodhisattva Kṣitigarbha in Hsiang-Te Temple, Taiwan