We had one album left on our deal with Pure Noise, plus we had also publicly implied that we were gonna be doing a whole record, so we were just like, "let's hash it out."

Andrew Sacher of BrooklynVegan included this among the notable releases of the week, calling it "some return-to-form moments compared to its caustic predecessor [2019 album Death Is a Warm Blanket], but overall it's unlike any Microwave album before it", containing "some trippy elements" alongside more conventional alternative rock that he compares to "Weezer meets Third Eye Blind meets Manchester Orchestra".

[2] At Kerrang!, Jake Richardson scored this album a 3 out of 5, calling it "a riotous affair" that is a "collection of mellow songs that fall somewhere between shoegazy emo and ambient indie-pop" that is "a little too self-indulgent for some".

[3] Editors at Stereogum named this Album of the Week, with critic Danielle Chelosky that "words of wisdom" in the lyrics are "evidence that this pivot into liberated, uplifting territory is sincere and earned" and that "the result is an album that doesn't waste any time; every word and every instrumental is worthwhile".

[4] On June 4, Stereogum did a roundup of the best albums of the year so far and rated this 31, with Danielle Chelosky stating that it "is shocking, powerful, and catchy".