[3] Lord's Cricket Ground adjoined Lisson Grove in the early nineteenth century before re-locating to St Johns Wood, the similar-size district to the north.
The council's profile describes Church Street as an ethnically diverse ward, having one of the highest concentrations of social housing in the borough with a substantial estate renewal programme underway.
Much of Lisson Grove had become a slum in Victorian London, notorious for drinking, crime and prostitution particularly in its pockets of extreme poverty with archetypal squalor, overcrowding and dilapidation.
After World War I, the Prime Minister, David Lloyd George, announced a policy of "Homes Fit for Heroes", leading to a sponsored housing boom from which Lisson Grove benefitted.
In 1924, St Marylebone Borough Council completed the Fisherton Street Estate of seven apartment blocks in red-brick neo-Georgian style with high mansard roofs grouped around two courtyards.
Noted for their innovation as some of the first social housing to include an indoor bathroom and toilet, since 1990 this has been a conservation area[10] The blocks were named mostly for the notable former residents of Lisson Grove and its surrounding areas, which drew Victorian landscape painters, sculptors, portraitists and architects: After World War II, further social housing was completed at the Church Street Estate (1949) and the larger Lisson Green Estate (1975).
The council's profile describes Church Street as an ethnically diverse ward, having one of the highest concentrations of social housing in the borough with a substantial estate renewal programme underway.
The arrival of Dutch painter Lawrence Alma-Tadema at nearby 44, Grove End Road in the late 1870s inspired the naming of one of the Lilestone Estate apartment blocks built in the 1920s as Tadema House.
Conceived by artist Robert Gordon McHarg III, the space itself is a 1960s kiosk with glass walls which creates a unique showcase for art, interacting naturally with passers by, visitors and the local community.
The Show Room[23] is a non-profit space for contemporary art that is focused on a collaborative and process-driven approach to production, be that artwork, exhibitions, discussions, publications, knowledge and relationships.
Church Street runs parallel to St John's Wood Road and plays host to a varied market Mondays–Saturdays, 8am–6pm selling fruit and vegetables, clothes, and bags amongst other items.
"[26] Opened in 1976 by Bennie Gray, in the then derelict department store, the Antiques Market has since spawned twenty or so individual shops at the Lisson Grove end of Church Street specialising in mainly 20th-century art and collectables The Metropolitan Music Hall, re-launched with great refurbishment and extended capacity in 1867, was at 267, Edgware Road, opposite Edgware Road (Bakerloo) tube station entrance/exit and Bell Street.
Its regular classes and workshops, comfortable bar and friendly team enable this creative hub to support performers, the industry, diverse audiences, the local community and free radicals alike.
As recently as 1954 Stanley Coleman wrote in his 'Treasury of Folklore: London' "that you may ask [at the bar] for eye lotion and the publican will measure you out an ounce or two" though it no longer came from the well in the cellar which had dried up when Edgware Road Tube station had been built on the site.
Bus routes serving the road Lisson Grove are 139 (West Hampstead to Waterloo via Trafalgar Square), 189 (Brent Cross to Oxford Street).