Smith later wrote, "When I first tried the Apache dance with Louise Alexander her hair accidentally fell down, which greatly added to the effect of the thing...So I had big bone hairpins made, with weights to them.

"[12] A New York reviewer observed that the dance was "rather rough on a young woman who was maltreated by a sallow-faced brute until her lovely hair was hanging down her back.

[15]That New York production of The Queen of the Moulin Rouge was reported by a British publication as containing "a neck-breaking Apache dance...that for extraordinary and exaggerated movement far outdoes anything of its kind in London or Paris.

[25] In January 1910 Louise Alexander joined the cast of Ziegfeld's musical Miss Innocence starring Anna Held, then playing in Chicago.

[26][27] According to the Chicago Tribune reviewer, Louise Alexander presented a "wanton leer that is quite a work of art" and she was "a wonder at seductive crouches".

"[31] Critic Channing Pollock wrote that the dance was "rendered notable chiefly by Miss Alexander's costume, consisting of a pearl necklace and a becoming spotlight.

[36] In early 1914 she partnered with Clive Logan for social exhibition dancing in vaudeville, accompanied by a five-piece orchestra of black musicians.

[37][38] When their tour reached Chicago a reviewer wrote, "They accomplish various swoops and whirls most gracefully...Miss Alexander and her young man are composed, almost capricious at times, and if they are not blissful they are at least contented.

A Baltimore Sun reviewer wrote, ...There is only one 'star' dressing room on any stage, and electric signs are limited as to their capacity, and with such performers as Fanny Brice, Cathrine Countiss and Louise Alexander on one bill the troubles of a manager are evident.

But in this case the patrons of the theatre benefit, for every one of these women, whose names are known wherever an electrical footlight glows in America, tries her best to win the greatest applause.

It was announced that Alexander and Jarrott would dance in the "Congress of the World's Greatest Dancers" held at a theater in Boston, after which they planned travel to London and Continental cities before returning to America in the late Fall.

[42]Louise Alexander, John Jarrott, and the five-piece orchestra soon sailed from New York to a London booking at the Princes' Hotel and Restaurant in Piccadilly.

[45] London newspaper ads for Princes' Restaurant in mid-July announced the "Special engagement of Miss L. Alexander and Mr. J. Jarrott with their celebrated coloured Band, who will entertain during supper until further notice.

[48] In early December 1914 it was announced that Louise Alexander and John Jarrott would soon open a vaudeville tour, starting in Chicago.

[51] In March 1916 it was announced that a vaudeville opening was being arranged for Louise Alexander "with Rodolfo, late co-partner with Bonnie Glass, as her partner.

[53] Throughout January 1919, ads for the Café des Beaux Arts, in New York, stated that Louise Alexander was serving as hostess for their supper dances.

Strang, who "always insisted on having ice cream before, during and after each big race,"[60] was the only American driver in the 1908 French Grand Prix; when he returned to New York she was reported greeting him at the dock.

New York cabaret venues were then increasing in popularity, and in late 1912 gossip columns began mentioning Louise Alexander and gambler Jay O'Brien dancing together.

[71] Evelyn Nesbit recalled, Night clubs as we knew them in the prohibition epoch did not exist, the cabaret idea being still in its embryo stage.

Their novelty attracted all the Broadway celebrities—Flo Ziegfeld and his most beautiful star, Lillian Lorraine; also Bonnie Glass, Al Davis, Jay O'Brien and Louise Alexander, Ann Pennington, Vera Maxwell and Beatrice Allen.

On August 28, 1913, the following item appeared in Town Topics, Reports that the good-looking and popular Jay O'Brien, once a famous gentleman jockey, has been married to a certain attractive little dancer are said to be absolutely false.

[74]In September 1913 Jay and Louise entered a dance contest at Holly Arms on Long Island, and won the first prize trophy.

[80] In 1926 she married Park ("Pike") J. Larmon, a Dartmouth College graduate,[81] and the couple soon moved to Bayside, Long Island, New York.