Lunar pareidolia

Other cultures perceive the silhouette of a woman, a crow, a frog, a moose, a buffalo, or a dragon (with its head and mouth to the right and body and wings to the left) in the full moon.

In some Akan oral traditions, an African savanna hare is believed to be the advisor of the Moon god Osranehene, and holds his Golden Stool.

In Elizabethan England, the spots of the Moon were supposed to represent a witch carrying sticks of wood on her back, or an old man with a lantern (which was illustrated by Shakespeare in his comedy A Midsummer Night's Dream).

You might also look for her companion, a large Chinese rabbit, who is easy to spot since he is only standing on his hind feet in the shade of a cinnamon tree.

Collins: Okay, we'll keep a close eye for the bunny girl.The ancient Tagalogs see the lunar pareidolia as a face of a maiden (doncella) which they called sangmucti (sangmukti).

[3][4][5] In Brazil, tradition says that the spots at the Moon's surface represent Saint George, his horse and his sword slaying the Dragon and ready to defend those who seek his help; this connection is purely Brazilian, having no known attestation in Europe, and it is believed to have originated from religious syncretism with African beliefs.

"[7] The Malay people living in the Malay Peninsula and Sumatra were recorded to once believe that the spots make up an inverted banyan tree (beringin songsang) under which a hunchback sits spinning rope out of tree bark that he will use to angle everything up from the Earth beneath it, but a rat will bite on the line until it snaps and the man will have to start spinning ropes once again.