Maitreyi Devi

[5] By this time she was already attending university, and that year the Romanian intellectual Mircea Eliade was invited by her father to stay at their house.

[2] According to Richard Eder, writing for the Los Angeles Times, "he turned what evidently were fervent but limited caresses into a lavishly sexual affair, with Maitreyi paying nightly bedroom visits as a kind of mystically inflamed Hindu goddess of love.

"[7] In late 1972, she published a collection of poems, Aditya Marichi (Sun Rays), which reference Eliade, and according to Ginu Kamani, writing for the Toronto Review, "reflect the turbulence she felt at dealing, at the age of fifty eight, forty-two years after the fact of their involvement, with the old passions of her youth."

Nina Mehta, in a review for the Chicago Tribune, writes, "Devi rubbishes the sex scenes and a few particulars in Eliade's novel, claiming that Alain's confessional tone elides the truth, that his memory implies false facts.

"[5] It Does Not Die and Bengal Nights were republished in 1994 as companion volumes by the University of Chicago Press, although Kamani writes, "Astonishing as it might sound given the sleight-of-hand dictated by marketing decisions at the University of Chicago Press, Devi's "response" was written to stand on its own.